look at it this way: Fabrica, Brighton September 2010

Monday 6 September 2010

Fabrica, Brighton September 2010

This pastiche of a Pierre et Gilles photograph was on the outside of Fabrica last weekend as part of wedding (civil partnership) celebrations. Unexpected and unexplained, it really got a lot of positive attention from shoppers, tourists and night time passers by. It is so bold, I even like the white frame. Pierre et Gilles pictures are so attractively done and look great on a drab grey church front. Instant positive vibe.

1 comment:

Daniel Yanez-Gonzalez15 September 2010 at 10:20
Well, not as bold as what was going on inside, trust me.

Positive reaction, that's true.

Best regards.

Daniel.
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NIGHTWORKER

September through to December 2010 I was ‘animateur in residence’ at Fabrica in Brighton. This was during the House of Vernacular, an exhibition curated by photographer Martin Parr. It consisted of seven different collections of photographs presented in a series of theatrically styled rooms built into the gallery. Animateur (or artist in residence) is a loose term which Fabrica are still trying to define. Each resident offers up a new perspective. I took it as an opportunity to advance certain topics that are becoming apparent in my own work. How to integrate photography into action + what happened to the idea that work can be exhibited beyond white walled galleries and their more recent pop-up derivatives. I wasn’t expected to produce new work, but to use the vernacular exhibition as a spring board for discussion. In the end I returned to a project I was already working on, stories and portraits of people who work at night. What does the 24hr economy feel like for those who are involved in making it happen? This became two blogs, a series of useful debates and a portable Nightworker exhibition carried around the city centre at night. This blog looks at differing ways of presenting work. The second blog, www.a-n.co.uk/artists_talking/projects/single/679476 follows the progress of the Nightworker portraits.

ARTIST ANIMATEUR?

I am often described as an visual artist but why? My practice has always been outside the conventional gallery space and I could be more easily categorised as an instigator of massive happenings, mobile automissions, gatherings, and disturbances. The only time I have used galleries is when my work is commenting specifically on 'art' itself. So, what are exhibitions for? I am using this role of 'animateur' for the House of Vernacular as an opportunity to share my dilemma with a wider audience.

Dial Emma

Monday 6 September 2010

Fabrica, Brighton September 2010

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